Culture Night at Stoney Road Press

Stoney Road Press will be open for Culture Night this Friday 20th Sept.

Join us for a tour of our print studios, where we will be demonstrating how the new prints we are working on with Donald Teskey are printed using carborundum and intaglio printing techniques. Our current exhibition of Four Squares by Ronnie Tallon will also be open in the gallery.

Call in anytime between 5-10pm, and if you need directions on how to get here call us on 01 - 887 8544.

Four Squares by Ronnie Tallon - Exhibition Launch Thurs 5th Sept

This Thursday 5th September at 6pm Stoney Road Press will be launching a new box set of prints by Ronnie Tallon.

Square 5, intaglio, 2013

Four Squares is a limited edition set of eight etchings, hand-printed on Somerset paper in an edition of fifty copies, numbered and signed by the artist. The exhibition will be opened by Shane O'Toole and will run until October 6th.

I have been obsessed with the simplicity of the square from my earlier days as a practicing architect. I realised then that most buildings inevitably need to expand, to grow in a natural way, where the expanded structure retained an expression of entity. Various efforts at realising this necessity led me to developing a multi-cellular system of building based on a square – the most logical structural form, capable of expansion equally on all four sides, capable of expansion horizontally and vertically, capable of creating ever evolving space as expressed by Max Bill in his teachings at the Bauhaus. This theory was applied to the design for Galway University using concrete structure and with steel structure in the design of the Carroll Cigarette Factory at Dundalk, now adapted for educational use by the Dundalk Institute of Technology. The Carroll building expresses the freedom possible within the discipline of a rigid structural logic. This obsession with the square has inadvertently persisted within my more abstract drawings, allowing me extraordinary freedom of expression with the discipline of the square. It allows me to explore within very definite limits. This set of images is from a series based on four squares.

Ronnie Tallon, 2013

For further details and directions please call 01-887 8544.

AT SIXES AND SEVENS Launch Friday 23rd August at 6pm

Stoney Road Press will be launching AT SIXES AND SEVENS this Friday 23rd Aug at 6pm. Please join us for a reading by Paul Muldoon and a preview of etchings by Rita Duffy.

AT SIXES AND SEVENS by Paul Muldoon with etchings by Rita Duffy is a new limited edition book published by Stoney Road Press. The text, by Paul Muldoon, is hand-printed letterpress and the book contains eight original etchings by the artist Rita Duffy. 

Hand-bound in leather with a matching slipcase, this special edition will be limited to 150 copies and each numbered copy will be signed by the writer and artist.

For more details or directions please call 01 887 8544.

Experiments with Photography - Stoney Road Press & PhotoIreland Festival

Dates: 1 Jul - 31 Jul
Opening hours: Mon - Fri 10am to 5pm, Sat 13th - 11am to 4pm, Closed Sun

This July Stoney Road Press will be hosting the exhibition Experiments With Photography as part of the 2013 PhotoIreland Festival. The exhibition highlights the work of three artists who have worked at Stoney Road Press and used photography as a means or an end in their work:

Amelia Stein’s unique photographic tribute to her mother, LOSS AND MEMORY is on the face of it, the most straightforward photographic work in the exhibition. The real challenge was to find a way to bend the traditional giclée (digital reproduction) process to capture the deep velvety blacks of her traditional photographs, a characteristic essential to the success of this series of prints.

Ameila Stein, Loss and Memory

Amelia Stein, Loss and Memory V, 2010, Giclée

Dorothy Cross combines photography with etching to make her unique images.  In TEAR she uses her own dramatic photographs of breaking waves and combines these with an image from a traditional steel engraving to produce this intriguing set of images.  In GHOST SHIP she uses the photographic image combined with luminescent ink to produce photographs which quite literally, glow in the dark.

Dorothy Cross, Tear (ii), 2009, Intaglio

Dorothy Cross, Ghost Ship (ii), 2011, Luminescent etching

Sara Lee uses photography as a springboard to make her atmospheric woodblock prints.  She reduces and distills her own photographs before etching them and then combines them with two further printings from woodblocks.  The unique characteristcs of the grain of the wood become fused with the photographic image, further extending its meaning.

Sara Lee, Passage Through

Sara Lee, Passage Through, 2013, Woodblock & Intaglio

This exhibition offers a unique insight into the printing process at Stoney Road Press and illustrates the many ways photography can be translated into printed editions.

London Original Print Fair Photos

Stoney Road Press' stand at the Royal Academy

The London Original Print Fair is over for another year. With record numbers of visitors it was one of our busiest fairs yet. Thank you to everyone who came along to visit us at the Royal Academy. We will be back again next year...


The new Sara Lee prints we launched

Sara Lee signing prints

Before the crowds

Stoney Road Press at the London Original Print Fair

London Original Print FairStoney Road Press will be exhibiting again at this year's London Original Print Fair. The fair takes place from Wed 24 - Sun 28 April at London's Royal Academy. Visit Stoney Road Press at stand 14 to view work from our portfolio of over 40 artists, including our latest editions by Ronnie Tallon, Michael Canning and Donald Teskey.

We are also delighted to be launching new work by Sara Lee, the result of our recent collaboration with Rabley Contemporary. The Crossing and Passage Through are a pair of intaglio and woodblock prints in an edition of 40


Sara Lee, The Crossing, Woodblock & Intaglio, 2013

Sara Lee, Passage Through, 2013

Sara Lee, Passage Through, Woodblock & Intaglio, 2013


These beautiful landscapes are a mix of woodblock and polymer intaglio etching. Delicate layers of ink and the carefully seleceted grain of the wood suggest a swirling sky and rippling water, which add to the tranquil mood of the landscape. We are looking forward to displaying them for the first time at the fair, where the artist will be with us to sign the most recent prints of the edition.

For a complementary pass to the fair  please contact us at

Stoney Road Press at The London Original Print Fair is supported by Culture Ireland.

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